Daniel Roher's film draws you right into Robertson's orbit as he recounts his early formation, the talent, hard work, and happy accidents that led to his fame with The Band, and the conflicts that consumed them. "It was a beautiful thing," he recalls. "It was so beautiful it went up in flames." Rare archival images, Robertson's memory for detail, and contributions from friends such as Eric Clapton, Bruce Springsteen, and Martin Scorsese conjure up a glorious era of creativity and excess that can never quite be repeated.
Through it all, the rhythm of Robertson's art hums — the yearning, the focus, and the ability to dig inside himself for lyrics and music that could speak to stadiums. He wrote his first song for Ronnie Hawkins when he was 15. Not 10 years later, he'd already struck up a productive partnership with Bob Dylan, and The Band were recording Music from Big Pink at a secluded country house in Upstate New York. But as The Band reached their creative peak, the seeds of their destruction were growing: egos, jealousies, and various intoxicants began to tear them apart.
Offering unprecedented access to rock history, Once Were Brothers tells the story of one remarkable Canadian's contribution to the music we now call Americana.
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